Martine Beugnet. Introduction [indefinite Visions]. Martine Beugnet, Allan Cameron, and Arild Fetveit. Indefinite Visions : Cinema and the Attractions of Uncertainty, Edinburgh University Press, 2017, 9781474407120. ⟨10.3366/edinburgh/9781474407120.001.0001⟩. ⟨hal-02334889⟩

14. Attacks and subversions of digital coding represent a growing dimension of artistic practice. See for instance the practice of datamoshing, based on the alteration or corruption of media files data, and in particular the work of artist Jacques Perconte.